So I'm underwhelmed on the rather small count of must-see concerts, but there are nevertheless some that could be interesting. My current long list is:
- Prom 9 - a rather long programme of Mendelssohn and Brahms, an interesting idea to reconstruct a programme from 1958
- Prom 18 - Monteverdi for the Glyndebourne Prom, perhaps an obvious choice after my holiday in Venice last year
- Prom 22/23 - one of the positive features of this year's programme is a number of Sunday afternoon organ recitals, and I admit Messiaen works rather well there; followed in the evening by Das Lied von der Erde (and other light classics)
- Prom 24 - Henry Wood's orchestration of the fugue of BWV565 opened the 2004 Proms, and I enjoyed it; so it would be interesting to hear his orchestration of Rachmaninov's famous prelude too
- Prom 29/30 - Vaughan Williams also features heavily this year; he's not a composer I know much, but perhaps worth experimenting; and barring some labotomised TV tie-up, it keeps the Olympics away, with the option of a late-night Prom to follow (which means getting home very late, but it is a Friday)
- Prom 50 - more organ music on Bach day, with the possibility to stay for further concerts
- Prom 59 - there's a lot of Rachmaninov this year too, it's acknowledged in the season notes but for no discernible reason; nevertheless, this programme also includes Sibelius' First Symphony, which is a favourite of mine
- Prom 60 - I recall seeing Lang Lang on TV a few years ago, wearing one of his colourful Chinese outfits - for a moment I mistook him for Jacqueline Pearce!
- Prom 65 - two favourite symphonies, the Berlin Philharmonic and Simon Rattle
- Prom 72 - never mind the Mozart, it's Shostakovich's Fourth Symphony in the second half
- Prom 76 - the Last Night - Beethoven's Choral Fantasia is a favourite; it requires an unusual combination of artists, which makes it rarely performed, but this is probably just the right setting for it. The second half looks decidedly serious, but who knows, and Roger Norrington is an interesting choice of conductor
I've left out a couple of Rimsky-Korsakov and Janáček programmes. So it seems there is quite a lot there, it's just not that much for me to get excited about. Maybe that's no bad thing, after all everyone needs a break; it's just that it then becomes more difficult to choose.